Journal article
Cynthia B. Meyers
American Journalism, vol. 35(4), 2018, pp. 420-443
American Journalism, vol. 35(4), 2018, pp. 420-443
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APA
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Meyers, C. B. (2018). The March of Time Radio Docudrama: Time Magazine, BBDO, and Radio Sponsors, 1931-39. American Journalism, 35(4), 420–443.
Chicago/Turabian
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Meyers, Cynthia B. “The March of Time Radio Docudrama: Time Magazine, BBDO, and Radio Sponsors, 1931-39.” American Journalism 35, no. 4 (2018): 420–443.
MLA
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Meyers, Cynthia B. “The March of Time Radio Docudrama: Time Magazine, BBDO, and Radio Sponsors, 1931-39.” American Journalism, vol. 35, no. 4, 2018, pp. 420–43.
BibTeX Click to copy
@article{cynthia2018a,
title = {The March of Time Radio Docudrama: Time Magazine, BBDO, and Radio Sponsors, 1931-39},
year = {2018},
issue = {4},
journal = {American Journalism},
organization = {},
pages = {420-443},
volume = {35},
author = {Meyers, Cynthia B.},
howpublished = {}
}
Article of the Year Award, 2018
The 1930s live radio docudrama The March of Time, created to promote Time magazine, was actually produced by an advertising agency, Batten, Barton, Durstine & Osborn (BBDO). Exploiting the sonic possibilities of what was then a new medium, The March of Time featured actors impersonating newsmakers in scripted scenes based on actual events, accompanied by live orchestration and sound effects. Audiences were encouraged to imagine they heard history unfolding. Although now dismissed as an embarrassing detour from journalism, the program was, in fact, innovative and influential. Analysis of BBDO's role, based on the agency's private archives, reveals the crucial impact of sponsor control of radio program content on the development of broadcast news in the 1930s.
The 1930s live radio docudrama The March of Time, created to promote Time magazine, was actually produced by an advertising agency, Batten, Barton, Durstine & Osborn (BBDO). Exploiting the sonic possibilities of what was then a new medium, The March of Time featured actors impersonating newsmakers in scripted scenes based on actual events, accompanied by live orchestration and sound effects. Audiences were encouraged to imagine they heard history unfolding. Although now dismissed as an embarrassing detour from journalism, the program was, in fact, innovative and influential. Analysis of BBDO's role, based on the agency's private archives, reveals the crucial impact of sponsor control of radio program content on the development of broadcast news in the 1930s.
